Never Imagined Myself In This Zoo

The crew of the USS Nimitz
From May 7th, 2005 to November 8th, 2005, director Maro Chermayeff — one of the minds behind the PBS series Frontier House — joined the crew of the USS Nimitz on its six-month deployment to the Persian Gulf. Chermayeff and her seventeen-person team were given an unprecedented degree of access to the ship and its crew, some 5000 men and women (average age: 19) sandwiched between a nuclear reactor and an airport runway. The filmmakers returned home with over 1600 hours of footage which have, in the years since, been whittled down into Carrier, a 10-part miniseries that airs April 27th through May 1st on PBS. Think of it as “Giant Floating High School Gun House.”

Last night I was able to attend the premiere of the the first episode, “All Hands,” at the Director’s Guild in LA. To some extent, its comforting to know that even the plush screening rooms of the DGA are plagued with sound problems, crinkly candy wrappers, and audience members who simply cannot shut the hell up.

Back in 2002, there was an episode of This American Life wherein Ira Glass and pals spent a week aboard the USS John C. Stennis, interviewing the crew and generally getting a feeling for the inner workings of the ship. For me, the most memorable segment of that episode is an interview with an unhappy young man who, after bitching about the Navy and dishing about on-ship love affairs, is quickly silenced by an officer and barred from taking part in any further interviews. As far as I can tell, there’s nothing like that in Carrier. The Nimitz seamen were encouraged to speak freely about the Navy, the war, and their role in both. In true reality TV fashion, you’re quickly caught up in the lives of the show’s “characters:” folks from disparate backgrounds, each with their own reasons for enlisting and their own complex feelings about being a cog in one of the most powerful weapons on Earth. Chermayeff didn’t set out to make a recruitment film, but her portrait of a remarkably diverse Navy is more inspiring than any Godsmack-backed “Accelerate Your Life” ad.

The first two episodes of Carrier air this Sunday at 9.

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Divine Comedy cover designs by Nicole PetersonNicole Peterson’s gorgeous cover designs for Dante’s Divine Comedy: Inferno, Purgatorio, Paradiso. (via)

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It’s almost here! The Venture Brothers Season 3 preview from the 2008 New York Comic Con.

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“Knuckle” Buster: This is a black t-shirt with a screen print image of Iron Man beating up a helpless sidewalk groin. Tuck it in for even more fun! Insert hilarious geek/virginity boilerplate here. (via)

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The end of an era: Ollie Johnston, the last of Disney’s Nine Old Men, has passed away at the age of 95.

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Human organs beautifully knit and photographed by Sarah Illenberger.

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“In Vestimentis Ursum,” by designer Matt Kirkland, exposes the robots hidden inside children’s plush toys. (Via Today And Tomorrow)

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Isolation Studies by Chuck Jones. “NPR Inhale” almost sounds like a Tanya Tagaq track. (Via Waxy)

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No time to fuck: Locher’s has released the 2008 collection.

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1984 Studio Ghibli test footage for the Little Nemo animated film. Compare that with the opening sequence from the final release, directed by Masami Hata and William Hurtz. (Via Cartoon Brew)

Related: Winsor McCay’s visions of the future.

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American, Idle

Six and a half months of blogging, condensed:

  1. Hyperbolic endorsement of something ultimately fleeting.
  2. Snide dismissal of something you cherish.

There. All caught up. Onward and upward. Work on the look of the site — theoretically a cross between ThemeShaper’s tumble-enriched MNML and PlayWorkPlay’s gorgeous and understated Whitespace Nation — will continue. But instead of putting off writing until I’m happy with the appearance, a trap I’ve fallen into again and again, I’m determined to build on that “Grey Clouds” traffic with a steady stream of content.

Um… so. Any questions? Leave a comment at the end of this post. Ask me anything. Tell me what to write about. Get me rolling.

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